Showing posts with label Ben Stiller. Show all posts
Showing posts with label Ben Stiller. Show all posts

Sunday, October 6, 2013

The Secret Life of Walter Mitty: A Daydreamer's Dream

Well I somehow made it to the press screening and worldwide premiere (!) of The Secret Life of Walter Mitty despite missing my 6:05 a.m. bus, making my boyfriend drive me 40 minutes to Hamilton, taking the train in, cabbing my way up to the Lincoln Film Center, lugging an overstuffed backpack and a canvas bag holding a laptop and copious amounts of writing materials, and waiting in line for two hours for a good seat.

Yes, we rather got off to a bumpy start.

BUT! Despite this somewhat hectic morning and having only gotten 4 and a half hours of sleep, I'm happy to report that nothing could keep me from staying awake and totally captivated throughout this movie. (The free Diet Coke also helped.) Also got to enjoy a press conference after the movie with some of the cast, including Ben Stiller, Kristen Wiig, Steve Conrad (the writer, also responsible for movies such as The Weather Man and The Pursuit of Happyness).

(Also at one point they were all ten feet away from me as they
were waiting to be announced!)

So the plot of the movie revolves around Walter Mitty, an ordinary guy that sometimes lets his imagination run away with him. Desperately failing to connect to those around him, he retreats to his imagination looking for a more exciting way in which various situations could play out. When the story begins, he is working for Time Magazine (with borrowed logo from the actual company), who is making the transition from print to online (sadly mirroring the actual company's real-life decision in 2009). But on the day he receives news of this looming transition, he also receives a gift from amazing mythical photographer Sean O'Connell (Sean Penn), who gifts him with a last roll of film and a hand-picked image for Time's last cover.

The only problem is, Walter can't find it.

The story then blossoms into Walter Mitty breaking out of the office and the city that he's rarely left in an adventure to find the lost negative. Along the way, he gets help from office colleague Cheryl, reconnects with his family and his past, and finally gets to do the exciting things he's always dreamed about.

Caught mid-daydream. 

I was SO EXCITED to have the opportunity to see this movie. An avid fan of the original story upon which the movie is based, "The Secret Life of Walter Mitty" by James Thurber, and also the 1950s movie starring Danny Kaye, I was interested to see what direction it would take. (Additionally, the trailer showcases the one most beautiful sequences in the film, which just makes you want to quit real life and travel the world.)

I mean come on, who doesn't want to longboard in Greenland?

The first half of the movie fully delivered what I wanted to get from it. We get to see all of the impossibly amazing things that Mitty gets to do in his mind, which so sharply contrast his humdrum existence, that they're simultaneously captivating and hilarious. With short mind-wanderings into things like a Matrix-esque fight with his boss, to jumping into a third-floor apartment building that's on fire, to (my personal favorite) a scene in which he imagines he and Cheryl growing old together despite him having "Benjamin Button Disease" (hilarious). These scenes really keep the movie funny, and carry a tongue in cheek look at, really, what a lot of blockbuster movies look like.



But this is not your grandfather's Walter Mitty. Unlike Danny Kaye's hilarious romp from the 50s, this movie really has Mitty searching for his own identity, and reaching out for a part of his personality that he's kept muffled for decades. As my BFF Ben Stiller said (yes, I can say that now), they really wanted to step away from Danny Kaye's version of the character, and embrace a Mitty whose vivid imagination was more a yearning for things that he wanted to do and less of a retreat from the real world.

The only problem I have with this new take, however, is that it takes away from what makes the material so entertaining. By adding depth to the character of Walter Mitty, you give him purpose yes, but you subtract some of the entertainment value, which is a shame because that's where Stiller and Wiig both really shine. In fact, their interactions in his fantasies were what really stood out to me and gave them believable chemistry. In general, the best parts of this movie were the imagination scenes in the beginning, but about halfway through they're kind of done with that and begin putting Mitty in real-life adventure situations. Which is cool, but then the movie ends with his character being so different that it creates a bit of a disconnect from the original story.

I feel like we're growing apart...

I did love the cinematography and the soundtrack, though. There are a lot of folksy indie bands on there that give you some really inspirational tunes. Additionally, the locations where they chose to shoot were absolutely breathtaking. Scenes shot in Greenland and Iceland are especially stunning. When asked why they chose these two locations (because they seem a bit...less traveled), Stiller remarked that they wanted the landscape to seem like something people had never really seen before. Which is a good point because who goes to Greenland?

Kind of takes "small town" to a new level, no?

7.5 outa 10. I very much enjoyed it but I'm a little disappointed we couldn't see more of Mitty's imagination.

Comes out on Christmas!




And just for good measure (clearly we have two completely different movies here...)

Sunday, June 24, 2012

Madagascar 3(D): Yay Fun!

So, this may come as a surprise to you all, but when I'm not typing my fingers to the bone for all y'all, I am babysitting an adorable 10-year-old named Kate. Now, Kate was a little miffed at me last week because I got her all excited two weeks ago after I told her I had Finding Nemo and that we could watch it on Friday. Well, guess who forgot Finding Nemo? Yup.


So in order to make it up to her I told her I would take her to see Madagascar 3. Her eyeballs almost popped out of her head. So we went to the theater, got our 3D glasses on our heads, and sat back for some good old-fashioned fluff.

Oh my god, guys. It was hilarious.

Now, I am not the biggest fan of the quality of animation that the Madagascar movies use. I'm probably just spoiled by the beauty of all of Pixar's movies but Madagascar always sort of weirded me out a little (for one, why is Alex's mane shaped like a diamond?). Even after seeing the first one somewhere a few years ago it never really stuck out in my memory. But this third one really takes the cake.

I'm pretty sure I was laughing harder than Kate was.

Right?

The plot takes off where (apparently) the second one left off, with the animals escaping Africa to find the penguins and their army of monkeys in Monte Carlo. Once with the penguins they plan to use their flying machine (I guess it's an airplane?) to fly home to NYC. But while they are trying to escape, the keep getting intercepted by French animal control freak Dubois, who is on their tail (haha puns...) for the rest of the movie.

Seriously. Dis chick cray.

At one point, while trying to escape her evil clutches (don't worry I can tell you about it cuz it's relatively in the beginning), they hop aboard a circus train headed for its next gig and join them under the guise that they are, in fact, from an American circus themselves. The plot then continues with Dubois trying to track them down and with the animals "teaching" the circus animals how they do things in the "circus americano".

Circus americano: exhibit A

As with all truly worthwhile kids movies there is enough adult fodder to keep you awake if the cutesy cheap laughs aren't getting to you (you weirdo). That being said, the movie isn't all cuddles and rainbows and learning about friendship. They make some pretty clever jokes that have some pretty big laughs. Madagascar 3 isn't afraid to be ridiculous and in a world full of tear-jerkers like the ones that Pixar keeps churning out (still have yet to see Brave), that can be so refreshing. If you're tryina guffaw all night, watch Madagascar 3.

Please please please watch the scene with Stefano (voiced by Martin Short) getting shot out of a human cannon. Aaaaand also any other scene with Stefano. (He was my FAVORITE!)

8 and a half outa 10. Hilarious and so cute.

Tuesday, December 20, 2011

Tower Heist (aka Working Class People Rock)

Met up with Mom yesterday at the Cumberland Mall and decided that we needed more time to hang out with each other. So we did what we do best: we went to the movies. Apparently 2:00 PM is a very unpopular time to be screening films because the only things available were Breaking Dawn (couldn't bring ourselves to do it) and Tower Heist.

Shazam.

Now I wasn't too thrilled at first to be watching Tower Heist. THe movie was highly anticipated but after Thanksgiving I don't really recall hearing anything at all about it, and seeing Eddie Murphy made me a little skeptical (let's face it, after the disasters of Pluto Nash, Norbit, Imagine That, and Meet Dave, there has been little to redeem this poor man). But Tower Heist actually ended up being a pretty bearable movie, thanks to an awesome supporting cast and a plot that would interest people that have been perhaps screwed over by the recession (99%? Anyone?).

The plot revolves around Ben Stiller's character, Josh (he doesn't look like a Josh to me, but I digress..), who is the expert concierge of a high class apartment complex called The Tower. The man who owns The Tower, Arthur Shaw (played menacingly by Allan Alda), is pretty tight with Josh in the beginning and one gets the vibe that Josh kind of looks up to him as a father-type figure. But trouble strikes when we learn that Shaw is being investigated for fraud and that Josh invested all the staff's paychecks in his stock (or something...finanace isn't my thing. But basically all you have to know is that Josh screwed up by trusting this guy and everybody loses money cuz of him).

SO! Josh, feeling extremely guilty that these people don't have money because of him, decides to get back at Shaw and hence plans a Tower Heist (see what I did there?).

I'm pretty sure this is how they did it in Ocean's 11..

This film was actually kind of unexpectedly charming. The major plotters of the heist are adorably inexperienced. Matthew Broderick plays the hilariously bankrupt Wall Street banker, Mr. Fitzhugh, and I'd be lying if I said he wasn't my favorite character in the entire film. Additionally, Eddie Murphy, Casey Affleck, and Michael Pena made up an unbeatable team to match (and even overshadow) Stiller's charming underdog character.

In an interesting twist, the movie doesn't get caught up in gadgets and impeccable timing like other espionage movies. The film is obviously unrealistic, but is honest in that it never pretends that these guys are anything but working class heroes. Even Fitzhugh, who was an investment banker (or something else high up) is equal to the others in that he now has nothing. This film sort of realizes the problems of the recession, the issues with the wealthy, and the endless loop of unrecognized hard work and battles it with the camaraderie, love, and humor of the lower middle class.

I'm mildly surprised that this movie didn't do better actually. The ending isn't 100% happy, but if puts the working class in the position of martyr for the greater good, making honor more important than happiness (which is maybe hinting at an attitude that we should try). The only thing that bugged me about this film's sort of social agenda is the fact that these actors are top-grossing comedians who aren't technically in the 99%, so the material was therefore a little hard to swallow since you're kind of watching it and thinking "well, no offense, Ben Stiller, but I'm not buyin' it". So maybe I just answered my own question, haha, but check it out for yourself.

Your sack lunch does not fool us, Ben Stiller.

(Also, disclaimer: if you have a hard time watching people dangle from extremely high heights, make sure you cover your eyes)