Showing posts with label Ethan Hawke. Show all posts
Showing posts with label Ethan Hawke. Show all posts

Sunday, June 9, 2013

The Purge (Bleeehh)

Haha, okay, cheesy joke, but we were making it throughout the previews and all day today so now it's become associative. Yes, I saw the latest futuristic dystopian doodad in theaters and here's what I have to say:

hmmm

As an avid reader of graphic novels and comics (shut up.) I gotta say I wish that they had simply made a graphic novel, comic series, or even TV series about this idea. It has so much potential and I feel like it got marketed wrong and just kind of...missed the mark. And when it could've been really interesting too!

For those of you that haven't seen the trailers, the film is about The United States, recently "reborn" by some new founding fathers. In this new "utopia" (-cough-DYSTOPIA-cough-), unemployment is at an all-time low, along with murder and other crime. The reason? The Annual Purge. The Annual Purge is a day that allows people to release aggression and animosity by murdering people, looting, and participating in all kinds of crime while the government turns a blind eye for a full twelve hours. Great idea right? Just like communism!

It could totally work! Y'know, as long as you totally ignore
human nature and morals and rights...it's a GREAT idea!

SO in the backdrop of this day in 2022, the day of the annual Purge, we have a family of four in the upper-class suburbs. The Sandins are a regular ole family, the dad sells security systems, the mom is a housewife (I think...), the daughter is an overachiever with boyfriend problems, and the son is a sensitive gizmo-freak. Normal, perfectly normal. And in the normality of every year beforehand, they shut themselves into their own home and lock down for twelve hours while the purge happens outside.

I'm about 30% sure you can't get in here...

That is, until they let a fugitive into their home and all hell breaks loose. During a commotion that occurs when the man is let inside, the family breaks apart (in more ways than one) and is set into a sequence of events that could damage the family forever. Visited by some psychotic twenty-somethings after the man inside (for apparently no other reason than the fact that he is homeless) they are given the opportunity to turn the man over. But after they lose their window they are invaded by this group of weirdos and must defend themselves alone. Interesting plot twists keep you on your toes, even until the end.

So, let's get down to brass tacks: did I like the movie?

What I liked about this film is the fact that they thought up this idea at all. How often in politics are people convinced that something is GENIUS when, in practice, it ruins most of the beauty of humanity (again, communism: great on paper, horrible in practice)? The "new founding fathers"have introduced a principle that everyone has thought of at least once in their lives, even fleetingly, and gives them the chance to carry it out without repercussions. The people in the film seem to use this principle as a right, making it all the more horrifying. Neighbors openly sharpen machetes, security cameras pick up friends in camo with machine guns "going out hunting" and yet nothing is to be done about it. Because it is legal, people don't seem to put up a fight against the moral fabric of killing someone. The rich, especially are highlighted in this movie as taking the opportunity that the Purge offers to clear riffraff off the street, such as the homeless, the poor, and people that would be the most defenseless when push came to shove.

Like this homeless guy

The movie therefore gives an interesting perspective (from the rich) when they are faced with the possibility of saving a man on the basis of the fact that he's human, and not on his economical status. In that sense, the movie is a great commentary on classism and government.

What I DIDN'T like about this film is the limited way that they play with this crazy idea. For a theory this big, you could've brought in SO many different elements. I would've loved to see a multiple-storyline film with one person in the ghettos, one cop, one rich family (such as the Sandins), and one other grab-bag character. That would've been CRAAYYY. Or even a storyline that goes outside the house. One of the things that makes the plot so crazy is the fact that you have no one to call for help except your neighbors. And yet, limiting a family to a house with no way out is something that you see in horror films ALL THE TIME. When a Stranger Calls, Panic Room, Cabin in the Woods, Evil Dead (-shudder-). Literally, ALL. KINDS. of movies use broken phone lines, absent cell signals, and downed power to make it seem like there's no way out. So I feel like it could've been a little scarier if they had gone outside the house.

We have no power, so we can't call the cops---oh wait, irrelevant...

The other thing that seemed to piss off a certain someone that I saw the movie with was the fact that it was not scary. This movie has been marketed as though it's a ripoff of The Strangers, or other scary serial-killer movies that have people sporting masks in them. These kids, however, are amateurs. And for all their creepy swinging in swings, they are no match for a double-barreled shotgun.

Seriously, if you block off their masks, it's just a bunch of yuppies
doing some night time house repairs.

I had a lot of feelings about this movie, but my top feeling is frustration that they didn't do more with this idea. I think it still would make an excellent comic series, but as a two-hour movie it somehow doesn't go into the depth needed for such a controversial topic.

Eh, 6 outa 10.


Tuesday, October 2, 2012

Sinister: Bughuul (With Cream Cheese...)

Well whadya know, a whole new month. I oughta be ashamed of myself. However, I have spent the better part of this month hounding new job opportunities and pulling my hair out and thus am not responsible for the slacking on the blog posts, as it were.

Now where was I?

Ah, yes.

SINISTER.


Don't really know why they picked that title for this flick. Sometimes I feel like directors and script writers reach into a top hat full of scary words and just pick one. Sinister. Slither. Underworld. Suspiria (actually I have no idea what that means...but it sounds scary right?). Scream. So many one-words from which to choose. One-word titles are apparently pretty big. But I digress (as usual). This movie was actually pretty scary.

Now I'm kind of a baby about horror films. Honestly I only saw this one because there was a Q and A with the director and the writer of the film and I thought it would help me ground myself in the reality that there is no actual Boughoul (the Pagan demon in the film that, y'know, eats children's souls, nbd) and that hearing these words from the people in charge of the movie might help. Which it did. Sort of.

Me, sleeping that night

The plot revolves around Ellison, a true crime writer trying to make another best-seller, who moves his family into the house of a recently murdered family. Unbeknownst to them, however, (as no one but Ellison knows the house's history) there is something SINISTER lurking in the attic (see what I did there?). About a day into their new home, Ellison goes up to the attic to store a box there or something and stumbles upon an old box of Super 8 home movies.

You're doing it wrong...

Curious about these films, he begins to play them in his office downstairs, and discovers, to his horror, that they are home videos of entire families being murdered in various ways. Instead of revealing the tapes to the police, though, he decides to keep these films entirely to himself in the hopes of uncovering a murderer as he did in his first book. But as things in his own home get more and more dark, affecting both his psyche and that of his family, you start to wonder what the cost of a bestseller could be.

The film is really expertly constructed (as I realized, of course, after talking to the people that made it) by director Scott Derrickson (The Exorcism of Emily Rose) and writer C. Robert Cargill. Combining the really popular found-film sort of cinema verite with old fashioned thriller horror and even super-scary demon themes, they sort of stumble on a hybrid genre that turns out to be very interesting. Instead of styles like Paranormal Activity, in which the audience is the person watching a lot of found footage, Derrickson and Cargill end up letting you see what happens to a person who has found footage and maybe should never have watched it. Additionally, the bulk of the footage that he finds is extremely disturbing (especially when you find out what the whole films entail at the end--ah!) with blood-curdling soundtracks. Showing you at first happy families about their business with light acoustic, it then jars you out of this happy was-reality with trippy, unnerving music that accompanies families being drowned, stabbed, set on fire, and hanged (as I'm sure a lot of you have already seen in the previews).

Little late for that, buddy

One thing to keep in mind as you are watching this as well, is to consider the double horror that this movie shows you: that you are being watched by something SINISTER (heh hehe...) and that some people will sacrifice the safety of their family to pursue their own dreams.

All in all, very interesting film with interesting themes. Well done, Scott and C. Robert! (I can call them by name cuz I met them and they borrowed my Sharpie and answered a few of my questions. Ya jealous.)