Showing posts with label Alexandra Holden. Show all posts
Showing posts with label Alexandra Holden. Show all posts

Monday, August 5, 2013

IN A WORLD...(Where Lake Bell Creates Movies)

Running behind a little this week, guys. But last week I had the privelege of getting a sneak peek of Lake Bell's new movie, In a World..., which she wrote, directed, and starred in herself. Also (if my Twitter strategy is working) y'all should know that she also made a personal appearance with a Q & A after the film as well.

This is how she got to the theater...it's not a shot from the movie..probably...

So the plot of the movie surrounds Carol, a voice coach with a less-than-impressive resume and the daughter of the go-to guy in movie trailer voiceovers. After she gets kicked out of her father's house, she gets the opportunity to promote her own voiceover work and takes off--totally unexpectedly. When the opportunity comes up to voice over the high-profile trilogy of a popular book series (much like The Hunger Games), both Carol and her father chomp at the bit to prove to themselves (and each other) that they are relevant to the extremely competitive industry. Running along side this main plot line are three love stories: Carol's sister hits a snag in her marriage; the ethics of her father dating a woman her own age; and her escapades with two men in the industry.

Wait a second...everyone's mismatched...

So the cool thing about this movie is its subject matter. It doesn't get much more obscure than the land of voiceover. It's only briefly touched on in The Holiday and I really can't think of any other movie where I've even heard it mentioned. When I asked Lake Bell during the Q & A after the movie as to why she picked this as the main subject matter, she basically said that it was just that that has inspired her. Being someone who had briefly tried her hand at the voiceover gig, she knew how competitive the industry was. Not only that but she was inspired because she had never heard a voiceover done by a woman. With the neo-feminism that's taking the nation by storm right now (more into seizing femininity than burning bras), I thought that it was a really cool idea. They even tie in a feminist message at the end, telling girls to take themselves seriously and not to neglect something as impressionable as their voices. In a world (see what I did there?) where girls talk like Kim Kardashian (Omg, kill me. She reminds me of a drunk squirrel), she puts a spotlight on the importance of intelligent speech. A big fat THANK YOU, LAKE BELL from all of my fellow grammar nazis out there.

Omg this picture.

The only things I wasn't crazy about in this movie were the sort of understated humor. While it's subtle and cute and funny, it becomes borderline unexciting. There are chuckles, sure, and plenty of awkward moments with Carol. But it got me wondering at a few points whether this movie was going to take a turn for the worse. Maybe that was its intention? Additionally, the side stories are a little distracting. When Carol's sister's marriage takes a dramatic turn, they create a huge problem and then fix it. Same with the marriage between her father and his thirty-year-old girlfriend. She has a really sweet scene at the end and yet it goes unacknowledged by the two sisters.

I noticed it, girl. I noticed.

It was not bad, it was a pleasure speaking with Lake Bell herself, and I'm anxious to see what other kinds of things she comes up with. However, I would probably put this movie on while doing something else. Like playing Candy Crush. It has a lot of "OOOHHH!!" moments, but in the way that a gossipy magazine does.

6 and a half outa 10. Not bad for your first movie, Ms. Bell!


Thursday, October 18, 2012

Lovely Molly: I'm Both Scared and Really Confused


It is October, dear friends, and that means that everyone should be scanning the movies OnDemand for cheesy thrillers from the 60s, low-budget gore-fests from the 80s, and current horror flicks that fell under the radar. One such underrated recent film was what Nick and I ended up renting on Saturday night, called Lovely Molly.

Soooo I don't really know how to explain the plot of this one very well, but let's just go through the structure of what happens.

Nooormal, perfectly nooormal

Molly is a happy newlywed that moves into her parents' old house with her new husband.  Not long after they move in, strange things start happening. Something trips their burglar alarm and scares the crap out of Molly when she is investigating a noise downstairs. But to add to these strange happenings, certain changes start taking over Molly and make her behave bizarrely. Eluding to her father's abuse of her as a child and even her past use of drugs after his death, there is something deeply unsettling, and even perhaps demonic, about the spirit that is following Molly around. After being literally scared out of her mind (or maybe even possessed by this malevolent spirit) Molly reaches the point where she is doing things that simply are not normal. From attacking her husband to trying to introduce her dead father to him to the even more extreme measures she takes by the end of the film, Molly slowly is turning from herself into something else.

Maybe not doin' so good...

This movie is every film professor's dream. There is nothing concrete in terms of plot structure, yet the movie is deeply terrifying. Why? Maybe it's that old theory that something you can't see or understand is truly horrifying. Look at Paranormal Activity. Holy crap. Never been so scared in my life. Do you see anything? Nope! The same theory applies with Lovely Molly. Despite her (and your) mounting terror, there is no concrete evidence to suggest that she is anything but crazy until a shot near the end (which also scared the living daylights out of me). Even after taking a video camera to this spirit, the audience sees nothing that she claims to see. Her husband, her sister, and we don't see anything except for inanimate objects moved by this spirits energy (we assume).

And also the effects of her crazy

Maybe that's what's so creepy about this movie. She gets totally unglued for seemingly no reason. Yet you want to believe her and even sympathize with what she sees. The scary part of this movie is its power of suggestion, and boy does it work well.

4 outa 10, simply because of the muddled plot and the unclear occult symbols which never get explained. As a sidenote, probably a 6 or 7 outa 10 for scariness..


PS Just for the record, nothing is more unsettling than some weird chick roaming around a forest, spying on kids, and humming to herself.